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Hi-Res Photos? Use Kodachrome! — Parallax Forums

Hi-Res Photos? Use Kodachrome!

ercoerco Posts: 20,256
edited 2014-02-09 18:06 in General Discussion
Some stunning Kodachrome images from 70 years ago. Who needs digital? Mama don't take my KodaChrome away...

Curiously, a Russian collector provided these images of WW2 American aircraft development & Rosie the riveter.

http://pavel-kosenko.livejournal.com/303194.html?thread=22669914
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Comments

  • Heater.Heater. Posts: 21,230
    edited 2014-01-28 13:18
    erco,

    Thank you for that. Amazing.

    I think the saddest thing is that all the know how that went into making such film chemistry is now lost forever.

    Personally, I had something of a shock when I first saw second world war footage in colour. I had been brought up with black and white TV you see.

    Those pictures are the same shock again.

    Not only was my parents world in colour but high resolution!

    Perhaps it was also 3D :)
  • TorTor Posts: 2,010
    edited 2014-01-28 13:33
    Thanks for posting that link. Great pictures. I love Kodachrome, always did. Back when I used film I occasionally tried other film, but nothing could beat Kodachrome.
    I feel the same as Heater about the loss of knowledge and the means to produce Kodachrome again. It was such a special process. Actually I have at least one roll of undeveloped Kodachrome film in the fridge (still). I was too late to get it developed when the last train left the station.

    -Tor
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-28 13:43
    I still love film! (it has a magical quility that is so hard to recreate in the digital world) And then there's the feel of a film camera in your hands! Ah, what people are missing these days!

    Thanks for the great find!
  • User NameUser Name Posts: 1,451
    edited 2014-01-28 13:44
    Thanks for posting this link, erco!

    It is absolutely amazing how high res still photography captures a moment forever. Like Heater, I've had to remind myself that WWII was in color. :-)

    If only the subjects of these pictures hadn't been posing...
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-28 13:54
    Wow! Look at the speeds, that makes the quality of the pictures and the skill of the photographer even more amazing!!

    This appears to be the only Kodachrome type produced back then:


    Film Date

    Kodachrome film
    16 mm, daylight (ASA 10) & Type A (ASA 16)
    1935–1962


    8 mm, daylight (ASA 10) & Type A (ASA 16)
    1936–1962


    35 mm and 828, daylight & Type A
    1936–1962


    Kodachrome Professional film (sheets)
    daylight (ASA 8) and Type B (ASA 10)
    1938–1951

  • RDL2004RDL2004 Posts: 2,554
    edited 2014-01-28 14:11
    Those are some beautiful photographs. I knew Kodachrome was slow, but back then it was really slow. I think the last time I ever used any it was ASA 64, that was only 35 years ago though.
  • PropGuy2PropGuy2 Posts: 360
    edited 2014-01-28 15:31
    Great pictures. But is what is more amazing are the airplanes they are building. One airplane every 8 hour shift, one Jeep every 15 minutes, one Liberty ship every 3 days. Every man and woman, in every town and village making material for the war effort.
  • GordonMcCombGordonMcComb Posts: 3,366
    edited 2014-01-28 16:26
    Keep in mind these are 4x5 transparencies, not 35mm. They were taken with a Graflex or other large format camera, which had fast lenses.

    That said, even 35mm Kodachrome provided great color and image sharpness.

    No one who had the expertise has really "forgotten" how to process Kodachrome, but the equipment and chemicals became too expensive to maintain. The last Kodachrome roll was processed three or four years ago, as the lone Kodak approved servicer finally got out of the business. Kodak had done so years before.

    No one does Technicolor prints any more, but the process is well known and documented, should someone wish to do so again. George Lucas had some Techniclor stock struck for the original Star Wars film. I'm told they used it when retiming the color on the later digital versions. No prints provided the required color fidelity, and in the intervening years the negative would have shifted an unknown amount.
  • xanatosxanatos Posts: 1,120
    edited 2014-01-28 16:28
    Thanks for this. So much of what I know of the WWII era is in B&W. Seeing these, in such brilliant, high-res full, unfaded sharp color, brings it all closer, helps make it more "real". The faces, everything. I love this kind of thing.
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-28 17:00
    Keep in mind these are 4x5 transparencies, not 35mm. They were taken with a Graflex or other large format camera, which had fast lenses. .

    That's what impressed me about the film speed. Typically on a 4x5 camera, you find lenses in the f/3.5 to f/7 range. A 203mm f/7.7 was a classic lens (equivalent to a 50mm in 35mm terms). This puts you close to the subject for portraits and also doesn't give you much light to work with.

    Being posed and all, they are masterfully lit and exposed!

    The depth of field in the shot of the workers in the tail of the B17 means they had to dump a bunch of light in there to use an even smaller aperture.

    I'll stand behind my WOW!!
  • GordonMcCombGordonMcComb Posts: 3,366
    edited 2014-01-28 19:52
    mindrobots wrote: »
    That's what impressed me about the film speed. Typically on a 4x5 camera, you find lenses in the f/3.5 to f/7 range. A 203mm f/7.7 was a classic lens (equivalent to a 50mm in 35mm terms). This puts you close to the subject for portraits and also doesn't give you much light to work with.

    While it's true the f7.7 Ektar was a popular lens, at least some of these look to have been shot with shorter and faster sports lenses. The depth of field on some appear fairly shallow, and on a few there's a bit of distortion suggesting a wider angle lens (remember, too, the lens board can be tilted on a 4x5). My Speed Graphic has an f3.5 (ish, I haven't looked at it in a while) and was used for sports photography. Now, f3.5 is "slow" in modern terms, but with quarter- or half-second exposure and fairly wide open they may have only needed a couple of broadlights. The lighting looks "cinematic" so I wouldn't doubt they used movie lights (no flash), which would have also been at the right color temperature, too.

    The look on these is nothing short of superb. I notice a number were shot at factories in the LA area. There are a few folks around there who know how to light a piece of film.
  • GadgetmanGadgetman Posts: 2,436
    edited 2014-01-28 23:31
    Take a look at these cameras...

    http://ondu.si/buy-pinhole-camera

    See the 'Sliding box' design at the bottom of the list?
    They're shipping mine one of these days now...

    Kodak may not be making film any more, but there are still manufacturers out there and New Stock is still plentiful.
    (While my 'sliding box' uses paper, my Lubitel 166, Olympus OMs, Zenit Horizon and a couple of pinhole cameras all use film. Just a pity I'm such a lousy photographer)
  • potatoheadpotatohead Posts: 10,261
    edited 2014-01-29 08:25
    BTW, the higher resolution images are here:

    http://www.shorpy.com/Large_Format_Kodachromes

    Follow a given link to find some more text and a full size image:

    http://www.shorpy.com/node/8888?size=_original#caption
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-29 08:37
    This brings up an interesting question or two. These obviously are digital scans of a print or the transparency (duh!)

    So at what resolution were the scans made? I read yesterday that a 35mm Kodachrome64 image is about a 20 megapixel scan. So a 4x5 at the same resolution would be gigantic!

    Were any artifacts or other changes introduced through the scanning process? Were these brought back to be true to an original print or the transparency through any digital processing?

    Is everybody viewing them on a color corrected monitor? The answer to this is probably no, so everyone is experiencing a different image regardless of what was done to bring the digital images back to match the original. :smile:
  • davejamesdavejames Posts: 4,047
    edited 2014-01-29 09:56
    ...absolutely stunning photos! They are so good I began to think they were modern recreations.

    Thanks for posting, Erco.
  • PublisonPublison Posts: 12,366
    edited 2014-01-29 10:09
    Thanks erco!

    As other poster have stated, we grew up in a BW world as far as that era Those shots where just beautiful .

    Now who wants to buy these? :)

    TEST 151.jpg
    1024 x 768 - 129K
  • GadgetmanGadgetman Posts: 2,436
    edited 2014-01-29 10:38
    What are the models with 4 lenses?

    And is that an Olympus OM?
  • PublisonPublison Posts: 12,366
    edited 2014-01-29 10:54
    Gadgetman wrote: »
    What are the models with 4 lenses?

    And is that an Olympus OM?

    Nope. Minolta and two Cannons.

    Four lenses camera are 3D cameras from the late 80's. NIMSLO was a company I worked for in the 80's. The camera where made in Ireland by Timex, but we built the printers in Atlanta, Georgia.

    It printed on lenticular film, a process that has been used by a few companies. I remember Kodak doing it first back in the 70's ?.
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-29 11:16
    Gadgetman wrote: »
    What are the models with 4 lenses?

    And is that an Olympus OM?

    You want some OM's?? I've got a few (hoarding) a bunch of OM-1, some OM-2 maybe a few OM-10 & 20's no OM-3 and if there is an OM-4, it's MINE!!! They should work (except for the battery issues with the OM-1), they probably need new light seals. Send me a PM, I'm always willing to talk about OM's!!!

    If I get a chance, I can post a picture or two with an EMBARRASSMENT of film cameras! :lol:
  • GadgetmanGadgetman Posts: 2,436
    edited 2014-01-29 11:20
    Timex?
    My condolences...

    There's probably no way for an amateur to get lenticular film printed these days, so I must decline.
    (What's the fun in owning a camera that I can't use?)
  • mindrobotsmindrobots Posts: 6,506
    edited 2014-01-29 11:40
    This one is for Gadgetman:

    Generations #1 and #2

    OM1-E420.jpg

    newest-oldest.jpg


    In the above picture, the Olympus is circa 2010 and the Zeiss-Ikon Trona 210/5 is from the 1920s. Photography has changed a bit in 80-90 years! ...or at least the tools!
    1024 x 576 - 313K
    1024 x 683 - 377K
  • Heater.Heater. Posts: 21,230
    edited 2014-01-29 13:32
    I think I'm in love.

    I'm mean girls with huge radial motors! Just beautiful. Girls wielding riveters and machine tools. They don't make motors like that any more and they don't make girls like that any more, At least not around here.

    God bless them, and a big thanks to them all for working so hard when they were needed so badly.

    Yeah, yeah, I know, this post is not politically correct.
  • ercoerco Posts: 20,256
    edited 2014-01-29 13:39
    Huge tracts of land!

    (obscure Monty Python "Holy Grail" reference)
  • Heater.Heater. Posts: 21,230
    edited 2014-01-29 14:22
    Obscure? No way. But I was hoping no one would pick up on that connection :)
  • ercoerco Posts: 20,256
    edited 2014-01-29 14:25
    Yeah, you found the level of this crowd "right quick". Me, anyway. :)
  • Heater.Heater. Posts: 21,230
    edited 2014-01-29 14:39
    But seriously though folks, the girls are beautiful, the radials are beautiful, the finished planes are beautiful and the photography is stunning.

    All that in the middle of the biggest, ugliest, bloody mess the human race has ever made.
  • ercoerco Posts: 20,256
    edited 2014-02-03 09:10
    If you liked those old pics then you may enjoy this 17-minute video/movie about building a locomotive in 1935 England. Pre-OSHA (or its UK equivalent) craftsmen!

    http://bangshift.com/blog/a-study-in-steel-incredible-video-of-a-locomotive-being-built-in-england-circa-1935.html
  • Heater.Heater. Posts: 21,230
    edited 2014-02-03 11:11
    Incredible. Thanks Erco.

    When we were casting aluminium back in school we were kitted out with big boots, leather gaiters, a leather apron, gloves and eye protection.

    Those guys look like they are dressed well enough for an evening down the pub!

    Wonderful Scottish accent of the narrator by the way.
  • Too_Many_ToolsToo_Many_Tools Posts: 765
    edited 2014-02-03 23:32
    Heater. wrote: »
    But seriously though folks, the girls are beautiful, the radials are beautiful, the finished planes are beautiful and the photography is stunning.

    All that in the middle of the biggest, ugliest, bloody mess the human race has ever made.

    Yeah I was thinking that too...promo pictures without the supporting blood and guts.

    Every time I see a 50's or 60's photo I am reminded as to how very close we came to thermonuclear war...several times..

    Folks...the good old days weren't that good....
  • Heater.Heater. Posts: 21,230
    edited 2014-02-04 22:24
    Too_Many_Tools,
    Folks...the good old days weren't that good....
    No they weren't. And it's been down hill ever since.

    We seem to have killed about 40 million people in various conflicts around the world since the second world war.

    http://www.cissm.umd.edu/papers/files/deathswarsconflictsjune52006.pdf
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