Time Lapse Photography with the Propeller?
adri
Posts: 34
Hi
Is there a way I can set up a camera (webcam or standard digital) to take photos every 30 seconds?
Many thanks
Nick
Is there a way I can set up a camera (webcam or standard digital) to take photos every 30 seconds?
Many thanks
Nick
Comments
take a look in the completed projects area - there's a recent one there... don't recall if it's prop-based though.
- H
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Timothy D. Swieter, E.I.
www.brilldea.com - Prop Blade, LED Painter, RGB LEDs, 3.0" LCD Composite video display, eProto for SunSPOT
www.tdswieter.com
[noparse][[/noparse]Edit]
I've just noticed that the shutter can also be controlled electrically with a cable. That would be much easier for time-lapse photography - a transistor switch can be closed with an MCU.
Leon
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Amateur radio callsign: G1HSM
Suzuki SV1000S motorcycle
Post Edited (Leon) : 7/11/2009 2:41:17 PM GMT
I have a black plastic chassis box inside which I mounted my the camera using it's ordinary tripod mount screw. Also mounted in the box's backside is a R/C servo. I have carved a cam from a servo arm that simply depresses the button. Admittedly, it may seem a little bulky, but it does allow one to protect the camera from the weather as well. All I have to do is to tape a glass pane to the front of the box.
There is even room in the box for a 7.4 Lithium battery and a BasicStamp board to drive the servo.
And so I wonder why I might need 8 cogs of Propeller Power for this one task. I've considered having a photoelectric sensor that shuts down the unit when ambient light is too dark. This would obviously save power when it is usless to photo without flash. But a BasicStamp can do that as well. Similarly, multiple triggers could be provided by a parallel to serial shift register input if 15 pins are not enough.
It would certainly be nice if someone manufactured a camera with an intentional hacker's interface. We would all buy it.
About the ONLY context in which I could imagine using the Propeller to trigger a camera would be for a very precise trigger in laboratory work. And it it could do high speed multiple triggers, all the better. That would really rock!
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Ain't gadetry a wonderful thing?
aka G. Herzog [noparse][[/noparse] 黃鶴 ] in Taiwan
Post Edited (Loopy Byteloose) : 7/11/2009 1:30:08 PM GMT
You could apply the "Why use the Propeller?" to anything; hell, why did Parallax bother creating the Propeller when there are so many other good micros on the market? Because it might be a better approach. My intervalometer has an LCD user interface so I can set the frame timing and see what's going on. Using 32-bit numbers my next version will do the frame calculations for me; I'll enter the real-time duration, the intended screening time, the screen rate (usually 24 or 30 fps) and let the Propeller calculate the interval between frames. Sure, I could do this on the SX as well but I'm already running short of programming space on the SX28 and instead of bumping to the 48 I'm going to bump all the way up to the Propeller. In the end I'll have more and better features and the coding will be easier because I don't have to work at managing interrupts.
Not pretty, but it works. With a bit of case-shaving to accommodate the epoxy blob, the original button function can often be preserved.
Cheers!
Paul Rowntree
This has application in astro-photography. It's also time lapse, but the end result is one image. We take many exposures over time of the *same object* and overlay them. It's perfectly normal to take in excess of 2000 shots over the course of an observation period of multiple hours. It's also standard practice to take >10,000 shots over the course of several days synced up to the same object each night The software takes a subset, the best of, and blends them together. But there's another aspect - we use filters.
You see, we don't see colors well in the dark. And the colors objects radiate or re-radiate are often very weak and subtle. The way to get these colors to pop is via filters. Think RGB (and sometimes Y and uV or IR[noparse]:)[/noparse] In one 'star shoot' session, you might take 500 images each through Red, then Green, then Blue, etc. The software takes the best of each set, and merges. The filters are on a wheel and are usually manually rotated in/out. Recently, automated filters have become affordable.
Both the SX, better the Prop, versions could control all aspects of such shooting, including other things I've not mentioned.
cheers
-Howard
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Post Edited (CounterRotatingProps) : 7/11/2009 8:21:51 PM GMT